after his debut 12 inch on freerange in 2013, kito jempere (of saint petersburg disco spin club) releases this 5 track sampler from his debut cd album. chunky, percussive dance tracks including a hypnotizing house remix by juju & jordash. stamped and numbered this 12 inch comes in an intricate die cut custom sleeve. gorgeous packaging coupled with gorgeous music. out on his own fata morgana label.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

dnaut is a brand new label launching with an ep from the mysterious collective mdec - music dance every chance. the first track *the treasure* is a spangled fusion of synths that variously rasp to shine, while the percussions lend a rough feel. the rubbery drums and bass line of *riz jungle* harks back to old school chicago. *hero* is a predatory, creeping and crawling house grove with a whispered voice to add yet more intrigue. *desire* featuring hayley blackman is a little more playful- rooted drums underpin elastic, swaggering percussive lines and a little disco dazzle is hiding in the subtle synth patterns. *glisten feathers* feat billy love closes the ep heartfelt style with a breathy male vocal. shimmering synths, lingering pads and tinkling pianos add color to the killer vocal.

for this first ep, its creators and label owners, sergio parrado and plä ziom, take samples of hip-hop, r&b, techno, funk and disco sounds perfectly geared and ready for the dance floor.

after several vvaa and remixes, we are glad to introduce you the first solo ep of oscar barila in his own imprint my little dog. the first track is raw girlz , a forward driven song, somewhere between old skool and deep house. its heavy squared bassline and its catchy vocals promise to be a heavyweight stomper in the finest clubs. the second original track is planet hollywood , a melodic and chic deep house song with a brilliant dico touch. if it wasn t enough with the 2 original tracks, there is also room for remixes. the super chilean combo andre butano and demian muller (cadenza, 8bit) makes a fantastic and techy reinterpretation of raw gilz . meanwhile, the serbian mass digital (keno, yellow tale) gives his personal touch to planet hollywood and turn it into an outstanding indie dance masterpiece.

denis kaznacheev, known as the half of easy changes - continues his experiments on the halfway between modular synthesis and contemporary dance music. his debut ep it has two ends is mounted by the remixes from rhadoo and adsum.

second reference of the spanish label sinerec. this time the hand of german quantec, momentarily abandons those atmospheres characteristics and leads to a more usual forceful style. a very clean and not too much saturation in style chords. spaces warm and very danceable. music definitely cheerful and very valid. with the chemist makes a turn to the more techno sounds where the baseline takes an important character in the composition of the track. depth flotation and lets get wasted, down a bit of character and are ideal companions in the suitcase of a dj for their musicality and cadence that will make sure, wonders on the dance floor.

ole utters *odsbodkins!* while martin styles his hair. the two decided to work on their next monaberry releases five years ago and the result is monaberry 23. 23? this can only be a good sign, dont you think? *odsbdodkins* confirms its name without wasting a second and going directly for your finest dancemoves. a groovey guitar firework is ignited which illuminates the dark temple of dance. no other but the boys from hanne & lore have taken on the hard task to deliver a remix of the title track. they do not disappoint with their rework which makes you lose it on the dancefloor. *frdy* and *indimushy* come as desert. these two tracks get into your head fast and refuse to leave it ... *frdy* is the perfect dancefloortool, which leaves not a single wish unsatisfied, while *indimishy* keeps the whole ep together, not allowing for any sound to drift away.

supported by pig & dan, horatio, mihai popoviciu, abyss, benoit c amm.
the freshest fresh from elusive. we ve got two exciting newcomers on this record! radkovski and ki.mi. have both been sending some positive deep vibes out to the world for quite a while now, and it s now time for you to hear and believe it, as quality of there productions speaks for itself. on the flip side label owner slavaki supplies you with even more power for the dance floor, unveiling one of melodic tech dance monsters that will leave no one standing by the bar. please welcome regeneration va as we move on to our 20th release

keeping in line with the trademark birdsmakingmachine sound, comes the fifth release on their self-entitled label, bmm 004. with a more straight-to-the-point approach than its predecessor, the ep starts off on the dance floor, with rumbling bass lines and heavy metallic snares juggling with effects-laden delicacies on the a1s >ahora vengo<. the arrival of >ash but not arthur< on the a2 calms things down bit and takes the listener for a gentle journey through ambient pads and cleverly swinging hi hats, while on the flip, things get a little more bouncy in >oscars critical jack<, which is mostly due to the fact its main ingredient – the solid playful bass line – blends effortlessly with the higher frequency spices, keys, strings and rhythmic parts. the end credits roll down with >bonfume<, another relatively smooth yet jacking swinger that could either be used to kick it up a notch in a warm-up set or be danced to while finding yourself at an afterhour.

fantastic voyages new series, soul city, explores the music being produced in key centres in the early 1960s, when r&b was evolving into the style that was soon widely referred to as soul. having kicked off the series in detroit, we now turn our attention to the big apple. special backstock

fantastic reissue of paradises deep grooves seminal * i love ep* produced by nelson * paradise* roman. originally released back in 91, this is one of the true holy grails of deep house. kicking things off is the incredible deep hypnotic groove of * i love*, which became a nyc sound factory classic in the hands of junior vasquez as well as receiving heavy rotation on the underground house scene. the next two tracks * hypnotic flute* and * trance dance* are both excellent but the other really outstanding track is the deep floating * inner mind* with its lush haunting synths and intricate rhythms. top quality house music at its best!

7 years after the last zhark vinyl release, heavyweight techno nihilist & labelhead kareem opens up another chapter of advanced technoid noizcore with his 11th full length ep on zhark. after a few years of silence kareem had just reemerged with releases on foundation sonore (fs 01), porto ronco on death of rave or mesmer on zhark digital but is now threatening to inspire more uncompromising percussive hostility. let this just be the beginning: whereas side a emphasis on a very distinguished dance floor groove concept of machine funk embedded in metal layers side b leaves room for a less formatted approach building up tension which is leading to a free firezone of depravity. while methodic differentiations can be discovered on each side, the listener is continously confrontated with haunting sonic extremism.
pressing on dark red coloured and black marbled vinyl.

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

these milanese maestros deliver four dance floor delights in their own inimitable and distinctive style

limited edition to 200 copies only
dark and trippy sounds on a label straight from berlin… in the dark again brings out music between acid, new wave/ minimal wave and psychedelic techno and dub. made for the very special moments on the floor.... support from lauren garnier, steven tang, luke solomon,

the tracks aligned tell the story of true and raw chicago influenced dance floor slammer.

hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

there is a common thread that runs through all of brandt brauer fricks music. it is this: interesting things happen at the interface of machine and hand-made music. the berlin trios 2010 album, *you make me real*, fused techno and classical. the 2011 follow-up, *mr machine*, saw them go the whole classical-meets-club hog with a ten-piece ensemble playing dance music live. then, earlier this year, came *miami*, a darker, more song-based collection exploring the same man-machine ideas. the berlin trios instalment of the dj-kicks series does the same thing with a mix.
the double vinyl comes in gatefold sleeve and includes the dj kicks mix-cd.

reissue of slugos 1st solo release, the 1995 classic on dance mania dm 096: slugmere (original), a blunt, work it (original), djs on the low (original), eris, balls. eris is vinyl only

belgian cold wave story off is a side project from chesko of der klinke. marble splash white/red numbered vinyl, limited to 298 copies

• remastered re-issue of a superb 1986 lp on limited salmon orange (!) vinyl
• full colour printed sleeve
• download coupon included

among a thousand projects, para one is back on the dance floor with club, a new album which was not meant to be one, but believe it or not: its serious stuff! *the passion album is the background for this, as i decided to reshape it for my live act*, explains para one.
the double vinyl lp includes a cd-copy of the full album.

they say that to know where you are going, you must know where you come from. in 2008 akkachar founded the rwina label, naming it after the word for never-ending chaos in the tamazight dialect of his north african ancestors. over the next five years he let the chaos unfold, building the label into an unpredictable yet reliable power house of dance and electronic music. today he turns to his roots for his own debut release, a three-track ep inspired by and dedicated to the amazigh (or berber) culture found in moroccos rif mountains.

a lush 90s vibe haunts this first offering by new parisian talent voiron, but not one of simple nostalgia - one of real class. the glittering layers, futuristic architecture and spaceship motions of opener -radôme- bear the true density of some early warp and reflex classic productions. one doesnt need to go any further to feel that the sleek skyline and mental landscapes voiron draws here might be the natural extension of those started by aphex twins selected ambient works or even 808 states hacienda dance cuts.

a new series from circus recordings label owner yousef, four expertly crafted cuts that he has been championing in his dj sets for some months. a collective of energies & styles, artists & friends, to create a sequence of creatively broad dance floor club tracks that harvest the effervescence circus recordings is known for, musically serious and tasteful, yet always vibrant and colourful.

some legendary deeon ghetto-tech tracks from the early dance mania catalogue in the rebound... bounce baby...

low-key producer youandewan presents his first release of 2014 - a self-titled suite of deep, jacking dance tracks on aus music.

nachdem das letztjährige jagwar ma-album -howlin- dance- und indie-pop-freunde gleichsam in seinen bann zog und die musikpresse in dem werk die direkte nachfolge zu primal screams -screamadelica- sah, ist nun die zeit reif für die -the time and space machine dub sessions-. beeinflusst von dub und krautrock hat sich richard norris (the grid) an die regler gesetzt und einige der schlüssel-tracks des albums nochmals radikal überarbeitet. jagwar ma spielen die beiden festivals melt! und dockville und werden dabei erstmals auf hiesigen bühnen ihre musik vorstellen.

wa wu we is new label and artist alias from sebastian mullaert (aka minilogue), meditation, improvisation and dance are key words for this.

on its first release, orioni makes its debut on 12inch with four tracks made in argentina. with jonas kopp, luis ruiz, mental resonance, and matt saderlan. this ep comes packed with four dancefloor weapons: jonas kopp with >mandelbrot<, contributes with a massive pounding rhythm full of atmospheres, with his classic groove based on solid kicks and hypnotic vibes, jonas presents full drum action around the percussion and sequences. for the a2 >triplets< is a track with a catchy 303 bass-line and roland drums programmed by luis ruiz. its acid classic signature comes with the task of bringing back that old school techno sound , whose roots had got lost in time. in the other side, mental resonance: >birth of omega century< has that fresh detroit techno style, and is ready to energize dance-floors with the groove of the 909 and hypnotic synthesizers. at least but not last, matt saderlan with >kids dist days<, destructive, corrosive and distorted letal weapon for acid lovers. no need to check your volume leds, yes, it is that banging. orioni has begun!

ron trent presents japans missing soul. if pat methany made dance music, this would be it. across your mind is a feel good song filled with tension and release.

vinyl only and silk-screened artwork! now that the isms ep has provided our favorite dance floors with magico moments and vivid arpeggios, nous klaer audio presents the second part of their collection of dance floor excursions. for the second release oceanic presents a ticket to another yet unexplored destination. this ep may count as his proper debut, though his kobo contribution to the rimini series of edits-to-go has already put joy to last summers festivals. on blanco bero oceanic follows on from the anthematic kobo on rimini with an ep of yet again uncanny but-powerful dance music, ready to explore.

-divers- having already passed the club test with flying colours it is now ready to see the light of day on vinyl. the track cruises effortlessly through the darkness of the night, past whispered messages bringing with ease, the light back on to the dance

from the ruins of the birthplace of techno … detroit underground returns with this, their twenty second release, in a catalogue that has come to define the outer limits of experimental electronics while still adhering to dance floor basics. this edition sees du label boss kero return to the spotlight in collaboration with la based sound designer and interactive director drasko vucevic, aka drasko v of los angeles based drastic music + technology.
pressing on orange coloured vinyl.

from mr. finger to miss kittin to seth troxler, many of the most memorable cuts in house music history spell out, with spoken words, the experience of clubbing while in the club itself. meta-musical moment found to be effective on the dance floor.

electric train ist the first ep of bebetta on kallias music. this four-track release features two originals and remixes to both of them. electric train is a cheery and housy track, that will help you leave the winter behind and dance into more sunny days.

second in a series of three releases featuring remixes from the acclaimed trus me album treat me right . this time luke hess, truss & truncate bring their inimitable style to the fore. the deeplab detroit master turns out in much the same vein as his releases on fxhe & planet e working i want you into a subtler, more spacious groove. truss toughens up defunct , simplifying the track & giving it more friction for the dance floor. its slow gets treated twice to truncate s vision. mix 1 is all minimal pumping dance mania type moves whilst mix 2 is more textured with percolated bass & frayed keys.

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

the berghain support for mount kimbie with a special release between dance and independent.

vinyl only! limited to 300 pieces handstemped, handnumbered and transparent blue vinyl. the four seasons volume 5 again 4 bangers, 4 visions of dance music.

the chicago house legend strikes again with three more killer re edits: freda paynes pullin back (gu edit) on the a-side, b/w easy to love (gu edit) from motown sounds space dance and lenny williams midnight girl (gu edit) on the flip. strictly limited pressing.

chronicuality beats vol.1 brings the best of chrono s latest releases already played & supported by the following artist: miguel migs, mark farina, david duriez, brett johnson, luna city express, oxia, paco osuna, anthony pappa, him self her, inkfish, santos, wehbba, neverdogs, terry francis

*** ltd repress *** groove line records announces its first release!!! make it last forever was originally released in 1978 on red greg records. donna mcghees only solo album was produced by dance legends greg carmichael and patrick adams. to this day, the underground disco classic remains in demand with rare mint copies selling for up to £120 on ebay, etc. groove line records is proud to release the first ever official vinyl reissue of the album in a deluxe 2xlp edition, freshly mastered from the original tapes. the gatefold edition features liner notes and interview with patrick adams. both discs are pressed on high quality 180 gram vinyl

beau wanzer (l.i.e.s, nation, mutant beat dance) and dan jugel are juzer. strong 90 s techno heritage on this stone-cold killer e.p for anthony parasole s the corner.

shinedoe - illogical directions a day in the life of shinedoe, expect anything. with dance music currently exploding into a multi coloured crossbreed its tempting to take things as far as possible. and thats exactly what this amsterdam based dj does on her long awaited third album

hot on the heels of the last release from francisco in slow motionss new soundtrack series comes this stunning four track release from marco antonio spaventi. while recalling influences as diverse as jan hammer, john carpenter, goblin, giorgio moroder, daniele patucchi, the de angelis brothers and many other legendary (mainly italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure! move fast as copies are limited and demand is high.

limited vinyl edition of two previously digital-only singles by berlin singer, songwriter, and producer. dan bodan, hailed by pitchfork as an expression of the storied nyc dance labels more oddball tastes.

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.